Architectural ideology is incredibly strong on poor young minds, and they don’t perceive this. What they perceive is the architecture of good intentions. And they’ve been trained ideologically to be in denial about the more sinister processes at work. And so naturally, and paradoxically, a young group like FAT who are coming on the scene are embarrassed about resisting these processes. And they adopt postmodernism for all these really bizarre reasons — because it’s the most taboo style, the most hated, and therefore the most radical — it’s an argument, but also a clever kind of tactical position.